In my practice, I redraw the language of traditional Anatolian wall carpets through the intrusions of the modern world. Pastoral scenes are interrupted by tanks, burning vehicles, digital-era icons, and atomic blossoms turning the carpet from a nostalgic ornament into a contemporary surface of memory. By preserving and destabilizing the woven aesthetic, I place rural serenity and industrial tension within the same frame. These works explore what happens to beauty, threat, and the myth of progress when a familiar textile suddenly hosts an unfamiliar object.